F.C. Malby lives in Vienna but grew up in East Anglia and has taught English in London, the Czech Republic, and in slum communities in the Philippines. She was a teacher and a wedding photographer before beginning to write. Her short story, The Bench, was published March 2013, and her short fiction has been long-listed in The New Writer Annual Prose and Poetry Awards and will soon be published online at the Puffin Review and the Flash Flood Journal. As always, we’d love to hear from you so please do leave a comment 🙂
How You Can Use Your Reading Experience to Shape Your Writing?
Ian McEwan reads for as many hours a day as he writes and its impact can been seen in his writing and in his ability to build characters and inform the reader. Authors are generally also voracious readers and will devour books in a range of genres. This will subconsciously filter into an author’s writing but how can you use it to consciously shape your writing and inform your work?
Think about the characters you have become attached to in some of your favourite novels and try to dig down into the roots of the character’s needs and desires. Try to work out why they resonated with you as a reader and use this to feed into your character profiles.
Which books have you struggled to put down? How has the author held your attention and had you turning the pages (or scrolling through) until the small hours? Finding an effective hook in a story is the linchpin of a good novel. Without it, there is nothing to hang the rest of the story on and build the story arc. Find ways of building anticipation and suspense through good mystery or thriller writers, especially if this is your genre.
It is good advice to read outside your genre to stretch your thinking but it is also important to read inside your genre and to learn about the text structures, language, plot devices, style and the mechanics of the writing. This can then be transferred to your own writing. If you write literary fiction, reading books which have a rich style of language which captivates and hauls you in can be particularly helpful. Soak up the work of writers who will help you to raise your game.
Learn from what doesn’t work
Find out what does not work in books which you have struggled to read. Are there any books which you have read where you struggled to get past the first chapter? Look at where you have come unstuck and try to work out why. Try to think about what could be improved and how, and then use this to tighten your work.
Read as much as you can from a diversity of sources: books, journals, newspapers, blogs, websites and periodicals. Read good non-fiction as well as fiction and use what you read to inspire both ideas and styles. Look at what grabs your attention and what stays with you long after you have stopped reading and build it into your own work.
Research has shown that when children read extensively they become better writers. If this is true for new readers, imagine how much more it applies to adults who are writing fiction on a larger scale. Reading for research is particularly important for non-fiction and for historical novels. I spent hours researching for my recently published novel and it is the one thing that readers mention time and time again, that they learned a great deal from the experience because of the research that went into it. If you particularly enjoy research or are keen on a certain topic area, research won’t feel like hard work, it will be a pleasurable task.
In what ways has your reading experience informed your writing? Can you think of any good books you have read which have fired up your writing embers? Share your thoughts.