Thank you Frank Kuppner!

Stopping editing for a moment to say thank you to Frank Kuppner for writing this. Too true by half ;o)

With yell of triumph he finishes the great work;
He slumps back in his seat, exhausted but happy;
Idly he fingers through it, and reads the very first lines;
Little by little; the smile disappears from his face.

A Bad Day for the Sung Dynasty (Carcanet, 1984)

Here’s what Angel Exhaust Blogspot says about the man himself: Frank Kuppner (1951), labyrinthine and anti-realist poet from Glasgow. early poems emerging in 1983 saw the start of the new ludic current, sealed with his awesome debut volume of 1984, improvisations on the illustration to a history of Chinese painting. A Bad Day for the Sung Dynasty was one of the classics of the new playful and hedonistic poetry which emerged, in the aftermath of over-politicisation, in the early 1980s. Has been seen as the ideal game to while away the time while you’re unemployed due to a right-wing government dogma. Influenced by Edwin Morgan.

He has been Writer in Residence at various institutions, currently at Strathclyde. Carcanet have published six books of his poetry: A Bad Day for the Sung Dynasty (Scottish Arts Council Book Award, 1984), The Intelligent Observation of Naked Women (1987), Ridiculous! Absurd! Disgusting! (1989), Everything is Strange (1994), Second Best Moments in Chinese History (1997) What? Again? Selected Poems A Bad Day for the Sung Dynasty)

And there’s more, much more. Interested? Look him up! He’s worth it.

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Little stories….

At the moment, and for the next few days/weeks, I am working  on what TS Eliot called the “frightful toil of sifting, combing, reconstructing, expunging, correcting, testing….” the words of my latest novel (what some call editing!). While concentrating on this, I’d like to share with you blogs I come across that I like.  This first one is a great post from the excellent Thresholds Short Forum by author Nik Perring. I don’t want to reproduce it here without permission so do follow the link, it’s really worth the read. It’s all about flash fiction or “little stories.”

“Story’s the important thing. And to make something brilliant and important isn’t easy, and nor should it be.”

http://blogs.chi.ac.uk/shortstoryforum/?p=8190

Nik Perring is a writer, teacher of writing, and editor from the UK. His short stories have been published widely in places including SmokeLong Quarterly, 3 :AM and Word Riot. They’ve also been read at events and on radio, printed on fliers and used as part of a high school distance learning course in the US. Nik’s collection of short stories, NOT SO PERFECT is published by Roast Books and is out now. His next collection, ‘FREAKS!’ co-written with Caroline Smailes, will be published by The Friday Project (HarperCollins) in April. Nik’s online home is here http://nikperring.com and he’s on twitter as @nikperring.

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Happy 200th Birthday Charles Dickens!

Today is Charles Dickens’ 200th birthday. If you don’t know much about Charles Dickens (and even if you do), here’s a great wee animated introduction to his life – thanks to London Library for sharing it on twitter :)

The Life of Charles Dickens

ps: Help!  If anyone knows how I can embed this film into the blog post, I’d love to hear from you  :)

 

 

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Feb 4th, National Libraries Day!

This coming Saturday people all over Britain will be holding events to mark National Libraries Day

Use it, love it, join it

National Libraries Day is devoted to all types of libraries, library users, staff and supporters across the UK. Join in by organising a celebratory event, contributing to our forums, tweeting with the #NLD12 hashtag and visiting your local library on the 4 February or the days leading up to it.  Click on the links below to find out what is happening in a library near you and get  involved!

http://nationallibrariesday.org.uk/

http://yourlibrary.edinburgh.gov.uk/blogs/2012/01/we%E2%80%99re-ready-national-libraries-day-%E2%80%93-are-you

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Five pieces of useful advice for writers

I came  cross a very helpful blog recently  called Wordarts by  . Catherine is an experienced and award winning novelist and playwright, now publishing on Amazon Kindle. She says, “I  try to write the kind of books I love to read.” Wordarts is her personal blog about writing.

Catherine’s blog post today contains five useful pieces of advice for writers. What are they? I’m sending you the link here so you can find out. It’s worth the look – as are Catherine’s books!

http://wordarts.blogspot.com/2012/01/five-pieces-of-possibly-useful-advice.html

 

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The Forest for the Trees

If you can’t start or finish a project, or can’t figure out what you should be writing, or if your neuroses are getting in the way of your writing, or you constantly sabotage your own efforts, if you have had success and are now stalled between projects, if you have too many ideas, or if the foul rag-and-bone shop of the heart has run dry, Betsy Lerner can help with her engaging book The Forest for the Trees.


Lerner was an executive editor at Doubleday and draws on years of experience as a poet, teacher of creative writing, editor and agent in writing this book. In the first half of the book Lerner quotes Lorrie Moore, who advises fledging writers to “First, try to be something, anything, else” other than a writer. As anyone who writes knows, writing is not for the feint hearted. We do it, because we are compelled to. We are like Pablo Neruda, who said, “Writing is like breathing. I could not live without breathing.”  Lerner believes, however, while writers are indeed driven, there are a variety of reasons which urge us to take up the pen, reasons which we are not necessarily aware of. By understanding our own writer personality and what motivates us to write, she suggests we will be better equipped to deal with the myriad of difficulties and delusions we face as a writer and be more likely to achieve, or get closer to, our goals. She identifies six general writer types, describing each of them with humour and insight, and suggest ways in which we can make our writing personality work for us rather than against us.

The six types are:

The Ambivalent Writer – someone who has a new idea almost every day but doesn’t ever see it to fruition.

The Natural Writer – someone who shows early ‘natural’ promise but fails to continue producing or finds their work is met with stony silence.

The Wicked Writer – someone who is angry, who wants to kiss and tell and lift the veil on an awful family life or a friend’s betrayal but who hasn’t (or has!) the stomach for it.

The Self Promoter – someone who either doesn’t promote herself enough or can’t focus on anything else.

The Neurotic Writer – someone who worries so much that he or she is too immobilised to write.

The Addict or Mentally ill Writer – someone who is flying so high on drugs or alcohol or is sinking so low into depression that he or she can’t write.

The second half of the book offers a fascinating insight into the brute realities of the publishing and editing world, and provides the novice writer a step-by-step guide into the process of becoming a published author.

The Forest for the Trees is not another how to write book, but a well written, sympathetic and engaging guide for all types of writers, which forces us to “confront our inner dreams, demons and strengths”, by a savvy editor, who knows the ropes and is not afraid to tell it as it is.

My favourite quoted quote from the book is:

I wasn’t the prettiest, I wasn’t the most talented. I simply wanted it more than anyone else.” Marilyn Monroe.

Betsy Lerner writes a great blog where, as she says, she “hopes to continue in the spirit of the book, answering basic questions such as how to write an effective query letter to more complex issues involving writers’ personalities, especially but not limited to their self-destructive proclivities. But mostly, it’s a place to regularly vent about publishing.”

http://betsylerner.wordpress.com/

To buy the book click below:

http://www.amazon.com/Forest-Trees-Revised-Updated-Editors/dp/159448483X

http://www.amazon.co.uk/Forest-Trees-Editors-Advice-Writers/dp/159448483X


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Do creative writing courses work?

The brilliant novelist, screenwriter and playwright Hanif Kureishi launched a withering attack on university creative writing courses in 2008, calling them “the new mental hospitals”.  And then there’s the wonderful Flannery O’Connor, who once replied when asked whether she thought writing programmes in universities actually discouraged writers, “Not enough of them.”

While I love the above writers, I disagree with them on this issue. I’ve been teaching creative writing for over ten years and I never stop being astonished by the number of students who seem hopeless at the beginning of a class but then end up producing a wonderful piece of writing. A course is not only an opportunity to develop and hone the skills of the fledgling writer,  it can also give her enough belief in her ability to carry on. This is so important because it is often the writers who do not  give up, who are the ones who succeed.

One student who never gave up was Jenni Fagen. Jenni was one of my students when I tutored at at the Open Studies Office of Lifelong Learning at Edinburgh University. Jenni was always a fresh and daring writer.  She was also very determined. After she finished at OLL she went on to study at Greenwich University and received  the highest possible mark for a student of Creative Writing and won a scholarship to the Royal Holloway MFA. She is now a published poet, she has won awards from Arts Council England, Dewar Arts, and Scottish Screen among others. She has been nominated for the Pushcart Prize twice and shortlisted for the Dundee International Book Prize. Most recently her novel The Panopticon has been picked as one of  Waterstones 11 best debut novels for 2011. This is brilliant news. I am so pleased for Jenni. And proof, if it were needed, that writing courses can and do work.

Follow the waterstones 11 link to download or read a sample chapter. And thanks to Rhian Davies and her blog It’s a Crime (Or  a Mystery …) for listing the waterstones 11 winners and summarising the books for us.

Anais Hendricks, 15, is in the back of a police car, heading for The Panopticon, a home for chronic young offenders. She can’t remember the events that led her here, but across town a policewoman lies in a coma and there is blood on Anais’s school uniform. Inside The Panopticon, Anais soon finds herself part of an ad-hoc family, but becomes increasingly suspicious of social worker Helen, who is determined to force Anais to confront the circumstances of her birth. Looking up at the watchtower that looms over the residents, Anais knows her fate: she is part of an experiment, she always was, and the experiment is closing in.

“Everything one could hope for in a debut novel; a strong, distinctive heroine, moments that make you laugh and the deft touch of a writer who can leave you with a lump in your throat.” – Mark Burgess, Fiction Team, Waterstone

 

http://www.waterstones.com/waterstonesweb/pages/waterstones-11/2272/

http://itsacrimeuk.wordpress.com/2012/01/19/2012s-waterstones-11/

http://www.thebookseller.com/news/women-writers-dominate-waterstones-11-list.html

http://www.guardian.co.uk/books/2008/may/27/hayfestival2008.guardianhayfestival2

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Whose book is it anyway?

There’s recently been a giant literary brawl on Goodreads , where readers, authors and their agents took sides and went on the warpath!  (btw Goodreads is the vast online site where millions of members discuss the world’s books.)

You can read  full details on Monday’s Guardian Books Blog, but briefly, a reader made a less than complimentary comment  about a much hyped YA book, prompting the author’s friends and agent to wade in and say some rude things about the reviewer. All hell then let loose. The result? A lot of upset passionate young bloggers, reviewers and readers. Does that matter? Well, yes, it seems so!  Here’s what Julie Bertagna, author of the Guardian Books Blog post, said …

“Twilight and The Hunger Games showed young adult fiction to be a potential goldmine. Authors and publishers quickly latched onto the galaxy of online book sites, where a vast young readership roams, as the key to global success. But can you harness that energy? Should you even try? More and more bloggers are reluctant to host the author blog tours that now swamp book sites – only to find that publishers refuse them free advance review copies of the new books they want. Who wins there? With such precarious balances of power, a bust-up was always likely.

Whose book is it anyway? The hardest thing a writer has to learn is that once you publish a book, it’s no longer truly yours – even though it’s got your name on the front and it lives inside you. It belongs to the readers now. All you can do is steel yourself as you push it out into the world, stay gracious, and get busy with the next one…”

What do you think? Who does a book belong to? The author? The readers, or the publishers and agents?

http://www.guardian.co.uk/books/2012/jan/16/ya-novel-readers-publishing-establishment?CMP=twt_gu

 

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Feeling too fed up with your writing to write?

Today is  Blue Monday, said to be the most depressing day of the year based on this formula

Apparently, the date is calculated using many factors, including the weather, difference between debt accumulated and our ability to pay, time since Christmas, time since failing our new year’s resolutions, low motivational levels and feeling of a need to take action. That said,  the units in the formula are rumoured to  “… fail even to make mathematical sense on their own terms.”

As far as I am concerned the only ‘blue’ thing about today is the sky, which is a glorious winter white-blue. I don’t think a specific date can be labelled “depressing”,  it suggests that we human beings have no say over our destiny, which really would be depressing! After all, even if we do wake up feeling a tad fed up, we don’t have to stay fed up.

Traditionally, writers are people who get depressed a lot. No more so than when we  face the blank page.  In Anita Brookner’s novel, Look At Me, her heroine says of sitting down and writing,

“Sometimes it feels like a physical effort simply to sit down at the desk and pull out the notebook …sometimes the effort of putting pen to paper is so great that I literally feel a pain in my head …”

However, the act of writing  is usually more “dreaded” than dreadful. If we can force ourselves to do something about that fed up feeling we get when we feel stumped,  the words will come.

How do we do that? I tend to do one or more of the following:

I go for a walk. It sounds cheesy, but walking is exercise and helps send oxygen to the brain, which is always good for getting fresh ideas. Oh, and exercise also creates those pesky endorphins which help make us feel better about ourselves, and can put us in a positive frame of mind for writing.

I tinker with a piece of writing that I feel good about and which I believe to be almost complete.  I do that until I feel confident enough to carry on with something new (yes, it’s massaging my ego, but sometimes it works  …).

I write in my journal. No one gets to see the scribbles in my journal so I can write without fear of censorship. I usually write very boring mundane everyday things. This act of freely writing usually makes me less inhibited and kicks start the creative juices.

I pick up a creative writing text book and read how other writers deal with their writer’s block and this inspires me to keep going.

Do you ever feel too fed up to write?  If so, what do you do to give your confidence a boost and get the words flowing again?

PS: There is also a  happiest day of the year—in 2005, 24 June, in 2006, 23 June, in 2008, 20 June, in 2009, 19 June and in 2010, 18th June. So far, this date has fallen close to Midsummer.

 

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Stop What You’re Doing And Read (Listen To)This!

From the BBC …

this a passionate, funny, revelatory and inspiring series, which is a mission statement about the transformative power of reading; about the way it inspires us, the tangible impact it can have on our well-being and the importance it holds for us now and will continue to hold in the future.

Stop What You’re Doing And Read This! features five of our finest authors and advocates from the world of publishing. Michael Rosen, Jeanette Winterson, Tim Parks, Carmen Callil and Mark Haddon, are all united here in a passionate belief in the distinctive and irreplaceable pleasures and powers of reading. Their essays argue that reading literature is, and must continue to be, a fundamental part of our daily life, as it directly improves our mental health and well-being, enriches our experience and broadens our imaginations.

As the ways people read, what they read, where they buy their books and in what format are all changing rapidly, this series argues unapologetically for the paramount importance of books and reading in a fast-moving, dislocated, technology-obsessed world

Memories and Expectations

Today; Michael Rosen reads Memories and Expectations, in which he describes his childhood, family and books and the blurring of the lines in his remembrance of each.

Listen :Listen now (15 minutes)

Availability: 5 days left to listen

Last broadcast on Tuesday, 00:30 on BBC Radio 4 (see all broadcasts).

Episode image for Memories and Expectations
Producer: David Roper
A Heavy Entertainment production for BBC Radio 4.

 

 

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